Book Review: Out of Oz by Gregory Maguire

( #OutOfOz, #BookReview )

I really liked “Wicked” when I read it several years ago. I thought flipping the whole “Wicked Witch of the West” concept over was a clever idea that resulted in a great story. The following books (“Son of a Witch” and “A Lion Among Men“) were less satisfying with each page turn. “Out of Oz” follows the pattern of its predecessors, resulting in an unsatisfying conclusion.

The fourth volume focuses on Liir’s daughter Rain. Maguire sets her up to be a blank slate in the beginning of the book and is the reader’s point of view character up until the middle of the story. Rain’s parents hide her in Glinda’s estate until the tensions of the war blow over. Eventually (and obviously) Rain has to leave and spends the next quarter of the book walking around Oz with the Cowardly Lion not doing anything particularly interesting. Then the girl goes to school, echoing the Wicked Witch’s (Elphaba) education in the first book. The reader needs to get through 50% of the book before really getting to know the lead.

The war between the Emerald City and Munchkinland forces Rain to leave the school with her almost-boyfriend. They find their way back to the assembled cast from the previous books and are then broken apart to wander around some more. All of this wasted page space results in a massive amount of story being told in the last few chapters. The war comes to a climax and several completely unnecessary plot twists are introduced. The characters mope around because of said twists and then the book ends with no clear resolution.

Fundamentally, my issue with the book is the literal lack of direction. The majority of the story finds the characters wandering around avoiding conflict (and thus interest). “Out of Oz” suffers from poor chronology, which Maguire admits/addresses during the whole “Trial of Dorothy Gale” section; he casually mentions that several years pass between each chapter, but the end of the book Rain is said to be between 12-15. Due to one of the twists, it would be comforting to have a clearer idea of the girl’s age by the end of the book.

Maguire spends many words establishing the visuals and tone of Oz. He didn’t need to, the last three books already did a fine job of painting that picture. “Out of Oz” could have been excellent with the help of strong editing and a clearer focus on the end game. There seems to be an opening for another book, but I think I am done with Greg Maguire’s vision of Oz. If you haven’t read any of the books start and stop with “Wicked” and thank me later.

Book Review: Tough Sh!t by Kevin Smith

( #kevinsmith, #toughsh*t )

After reading several fictional books in a row, I needed a break from fantasy. Naturally, I picked up “Tough Sh*t: Life Advice from a Fat, Lazy Slob Who Did Good” by Kevin Smith. For those people who are unfamiliar with Mr. Smith’s work, he is the writer and director of several beloved/hated movies about the slacker generation. Most recently, Smith has been leveraging social media to build his audience and brand after retiring from directing.

I don’t want to get into a debate on Kevin Smith’s abilities as a director or writer, you either like him or you don’t. I am not a total fan-boy for the guy’s work, but I like what he does more times than I don’t. Smith starts the book with childhood stories about his dad and their mutual love for George Carlin. Smith uses Carlin as a touchpoint in the book several times: first as a fan, then getting to know him as a director and a person – it reminds the readers that Smith is still a person and not a “celebrity”.

Kevin progresses quickly through the “Clerks” subject because if you know Kevin Smith, you probably know the story about that movie already. He uses Clerks to launch into the “failure of Mallrats”. “Mallrats” was Smith’s second movie, it was a big budget (for him) film that did not do well. Mallrats opens the book up to the most interesting subject he covers – the cost of movies.

Smith does simple breakdowns of how getting a movie made for “x” dollars is just the start of the debt once you get into post-production and marketing fees. A movie that costs $4 million to make, will end up costing $20 million by the time the audience gets to see it. This is pretty much the major subject of “Tough Sh!t”.

Smith does not want to navigate the politics of making $20 Million movies. Since that is the cost of getting a modest movie out to the audience, he stopped making movies. The issues and examples that he brings up are excellent, but I do have an issue with his logic…

The last couple chapters covers his recent podcasting and public speaking endeavors. From the information that Smith is presenting, he is doing well for himself performing live podcasts at college campuses and his own theater in California. Smith’s crew of misfits also produce and contribute content to their “Smodcasts”, so it definitely does not come across as a half-assed operation.

Since these guys have such a DIY attitude, I can’t understand why Smith would not attempt to make more films and distribute via his website similar to what Joss Whedon did with “Dr. Horrible’s Sing-a-long Blog”. Just as podcasting and internet are disrupting the music and radio companies, guys like Smith should be at the ground floor of the internet video revolution. I would like to see what the guy does with a direct video distribution channel.

Kevin Smith’s “Tough Sh!t” is an interesting book about how movies were made and foreshadows what avenues creative-types will have as outlets for their work. Smith’s trademark potty humor is omnipresent in the book (there are several graphic references about his wife and their sex life). I have to be honest, even though you KNOW it is going to be in the book, I just felt like it was tossed in because that is what the audience expects (meh – no harm, no foul). Overall, if you like Kevin Smith or are interested in the slow death of character-driven movies, read this book. If you are a fan of Bruce Willis, you might want to avoid it.

Book Review: Cain by Jose Saramago

( #Cain, #JoseSaramago )

I picked this book up by chance the other day and knocked it out before I found a reason not to read it. Yes, “Cain” is about the guy who killed his brother (the first murder), but the book moves past that pretty quickly. Essentially, author Jose Saramago uses Cain to be an unbiased witness of all of God’s “divine acts of justice” during the old testament.

Saramago kind of absolves Cain from murdering his brother by establishing God as the antagonizer of the initial conflict. God accepts some responsibility for the situation but lays down a curse where Cain is thrown around time in a non-linear fashion (think “The Time Traveler’s Wife”). Cain then witnesses God’s old school greatest hits: Sodom and Gomorrah, Abraham’s attempted sacrifice of his son Isaac, God’s wager with the devil regarding Job, Jericho, and ending with the Noah’s great flood.

While Cain is not necessarily a heroic character, he is by default the character you are rooting for. Jose Saramago’s old testament God is nothing short of a colossal asshole: petty, jealous, and out of touch. Most of the “devout” heroes of religious lore are cast and moronic sheep that will blindly follow the Lord’s orders without any thought to the consequences. As Cain sees each act, he becomes more disgusted with God until their final confrontation at the end of the book.

Even with a bit of leeway due to the source material, there are some plot holes that the reader just has to roll over. Saramago doesn’t do a great job at the start of the book explaining the curse and the fact that Cain is being tossed around in time. I don’t have my biblical chronology memorized, so it took me a while to figure out what was happening. Also he spends a few pages talking about how the “mark of Cain” will be a great hindrance in his dealings with people, but it never is.

Those comments aside, I found myself enjoying “Cain”. The book has a fast pace – not lingering on any subject too long (which suits my reading tastes well). Jose Saramago handles the religious materials well and manages to conclude the book with a twist which was much appreciated. If you consider yourself a good God-fearing Christian, this book will probably offend you. If you grew up with bible stories, don’t get offended easily, and think old testament God was a bit of a dick, you will probably enjoy this book.

Book Review: Brains: A Zombie Memoir by Robin Becker

( #zombies, #brains )

I just finished reading a short zombie novel called “Brains: A Zombie Memoir”. This books take a more comedic approach to the zombie genre by having the lead character named Jack (who is undead) retain his memories and ability to think and write. Jack assembles a team of zombies who have managed to retain certain skills like running or shooting a gun and attempt to find the man responsible for the outbreak.

This book is way too similar to another zombie comedy I read a few months ago called “Zombie, Ohio” by Scott Kenemore. Allow me to review the similarities:

  • Both books feature male lead characters that retained their memories after they become zombies.
  • Both characters were college professors.
  • Both characters cheated on their significant other before zombification.
  • Both characters quickly embrace their zombie natures and gleefully eat people (both books make it an almost sexual experience).
  • Both books have the main character assemble and lead a zombie army.

Like “Zombie, Ohio”, “Brains” reads like fan fiction… bad fan fiction. Becker is going for a comedic tone, so there is no tension. She uses terms like “yummy” when the zombies eat brains, and it comes off as childish. Like the zombies she writes about, the plot wanders. Jack the zombie eventually finds his way to the scientists, but by the time it happens you don’t care because Becker moves the reader past it.

While I don’t normally come down this hard on books, I felt that “Brains” could have been much better. “Zombie, Ohio” also had room for improvement, but the author had fun with the environment he created. “Brains” is a paint-by-numbers zombie story that just goes through the motions.

Book Review: Ender in Exile by Orson Scott Card

( #EndersGame )

If you have been reading this blog over the last month, you will have noticed I have been on an “Ender’s Game” kick. I am sure you will be glad to read that Ender is ending with this review. “Ender in Exile” brings readers back to the titular character of Ender Wiggin, who I missed a great deal during the “Shadow Saga”. Exile is an auxiliary book, you don’t have to read it to understand the main storyline in either series, but it does fill in some gaps in the timeline that I actually appreciated.

This book takes place between the last chapter of “Ender’s Game” and the first chapter of “Speaker for the Dead”. Speaker kind of pissed me off because you never really learned about what Ender did with his teenage years or his twenties. This book attempts to fill that gap, but something strange happens along the way…

Most of the book is about Ender’s travel to the first colony (which was eventually named Shakespeare). Long story short, the ship’s captain is a pompous ass that doesn’t think a teenager can run a colony (even if he just finished saving the world). The captain positions himself to take over Shakespeare for himself when they arrive. Card creates an almost comedic tension between the two, I just kept thinking about the Home Alone movies (the kid outsmarts the robbers at every turn). Readers know that Ender gets to the colony so the fact that so many pages were spent on this conflict were a waste. While wasteful, it was nice to read about a youthful Ender taking people down instead of having a terrible marriage and loudmouth adopted children.

The last 30% of the book is spent on the Indian colony that Virlomi established. Bean’s last genetically enhanced child (who was raised by a crazy woman that Achilles hand picked) grows up on the new colony creating problems for that planet’s leadership. Eventually Ender leaves Shakespeare to deal with the situation as a favor to his lost friend. Card basically wraps up that loose plot thread from the Shadow Saga, so if you want to know what happens to Bean’s lost child you need to read this book.

I liked this book even though there really isn’t a solid reason to. Exile is like a mid-season throw away episode of a tv show. Basically you gets some cool character moments, but nothing important happens. Since Card gives up on Ender in the middle of “Xenocide”, I enjoyed reading Ender in his prime again. If you are new to the series, I would definitely read this after the original book because the character you love disappears after “Speaker for the Dead”.