Category: Reviews

Having a blog means having an opinion. This category groups reviews of technology, concerts, books, food – essentially all things consumable.

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Concert Review: John Mayer @ The Wachovia Center, Philadelphia Pa

Headline Act: John Mayer
Location: Wachovia Center
City: Philadelphia, Pa
Date: February 21st, 2010
Opening Act: Michael Franti and Spearhead

[Pre-Concert Logistics]

Having been to concerts at the Wachovia Center before, the only issue I had was when I purchased the tickets, my only delivery option was will-call which meant we had to stand in line to get them (I bought the tickets months ago). The long line moved fast so it wasn’t a big deal. We were lucky to get good seats (third row) and getting down to the floor to our seats also was not as easy as it should have been, but again, not a big deal. One last thing: I have to throw in my gripe about people standing in the front rows so you have no option but to stand if you want to see. Now that it was said, I will move on.

[Opening Act]

I have never heard of Michael Franti and Spearhead before tonight. The band had several backup singers and a high energy vibe. They reminded me of a summer bar band: bright summery tones, an eclectic mixture of musicians who just seemed to enjoy playing. Franti ran out into the crowd several times and brought up little kids on stage to dance. Nice friendly people, good tone. In between sets, the band came to the front of the stage to sign autographs, which was pretty classy.

As for the music itself, as I said – summery pop music with island influence. They weren’t the greatest band I ever saw in my life, but they were very good. I appreciated that the booking agents didn’t hire some Mayer singer-songwriter wannabe to bore the crowd. I would like to see this band outside and near water – I can see the summer concert series at the Pier in their future.

[John Mayer]

John Mayer came on at 9:30 PM. He kicked the show off with a song from the newest album – “Heartbreak Warfare” All of the tunes from “Warfare” sounded better live (with the exception of the “Crossroads” cover which should just be buried). By the third or fourth song, Mayer started to banter with the crowd and read a sign near us that said “I can play Belief”. The sign was held up by a boy no older than 11 (his name was Austin). Mayer brought him right up and to the delight of the crowd, Austin totally nailed it. After a few minutes, he allowed the kid to leave but gave him a cherry red Fender guitar to take home. I always thought John was a decent guy and that was a very cool thing for him to do.

The night continued with Mayer showcasing his extraordinary guitar skills and light banter with the crowd. Every song and every jam was excellent. At one point he teased playing “Stop this Train” but the crowd pushed for “Slow Dancing in a Burning Room” (which was great) – I was bummed that he didn’t play the other song because it is one of my favorites, but the crowd must be appeased.

I can’t say enough good things about the show. Mayer is a professional and gives the audience a fantastic show. We left at 11:20 PM and he was still going. I don’t know what time he finished but I was pleased and satisfied with the two hours I watched. Take my advice: Stop reading the tabloids and just listen to the guy’s music, go out and buy his live DVD to see what kind of musician he really is. You won’t be disappointed (unless you want to be).

UPDATE: I also want to make note of one of Mayer’s other guitar players Robbie McIntosh. McIntosh played with a slew of bands including the Pretenders and Paul McCartney. He is an excellent guitar player that (of course) gets overshadowed by Mayer. If you happen to catch future shows, watch this guy play, he is fraking fantastic. Mayer also scores massive points for bringing Steve Jordan from the Trio project on the road as his primary drummer. That guy is AWESOME!

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Concert Review: The Cranberries @ The Electric Factory

Date: November 17th, 2009
Location: Philadelphia, Pa
Venue: The Electric Factory
Opening Act: Griffin House

[Opening Act: Griffin House]

I wish I could say something about Griffin House, but the man didn’t make much of an impression. He didn’t sound terrible and the music was pleasant enough. He just didn’t stand out: House sounds like every guy who ever picked up an acoustic guitar and made nice sounds. I will give him marks for attempting to engage the audience and making note that he was a fan of the cranberries when he was a teenager. It was a nice touch. He left the stage in a timely matter, not overstaying his welcome, and that’s it.

[Venue Information]

After Griffin House left the stage I remarked to my wife that the sound was very cloudy. It was hard to hear although the volume was fine. It just sounded washed out (music and talking). While that was a big issue, overall we had a good time at the Electric Factory. I have been there in the past and it had been hotter than hell, but it was very comfortable last night.

We ended up in the upper section by the bars, waiting for friends. I scouted the area and picked out a spot that gave us a clear view of the stage. We were close to the security guard: I mention this because the guy was EXCELLENT. Our clear view depended on people not standing in a restricted area; at another show, the guards would just let them creep over, but this guy was on the ball – ensuring our awesome view. On top of that, at one point in the night he gave my wife a stool to sit on (completely unprompted). He didn’t yell at people – he was polite but stern and he made my night way more enjoyable. On our way out I hooked him up with a tip because he restored my faith in standing room shows (positive reinforcement!). This guy was a total asset to the Electric Factory.

[The Cranberries]

The Cranberries came out very quickly (no 45 minute wait between sets). They began the show with a tune I recalled, but have no idea what the name was. When Dolores O’Riordan pointed the mic at the audience to sing, I realized that I really don’t know many Cranberries songs besides “Linger”, “Ode to My Family”, and “Zombie”.

Luckily for me, the band wasn’t stingy with their known songs. They mixed up the set well between slower and more rocking tunes. O’Riordan jumped and shimmed across the stage like a girl half her age (she is almost 40). Her voice sounded great (I noticed she was using an echo effect for many of the songs, which sounded cool), and she made an effort to connect with the Philadelphia crowd; I think she has family in the city but I couldn’t make out what she was saying. Good amount of chatter, but not too much.

The band sounded great, they obviously knew their way around the songs. Dolores played a few tunes from her solo album and the band provided back up. The new material sounded good, but not mind blowing. I decided once they played “Zombie” I was going to leave and beat the crowd out. Before we left, we heard an excellent version of “Salvation” – I had completely forgotten that song. Soon enough “Zombie” was played and we said good night to our friends and left.

[Conclusion]

I had an excellent time at the show: The band sounded great, the employees at the venue exceeded their job function to enhance my concert going experience, and I got home a decent time… which is good because I had to cancel my day off today. I will leave you as I left the venue last night:

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Concert Review: Neko Case @ The Kimmel Center

Concert: Neko Case
Open Act: Jason Lytle
Concert Date: July 29th, 2009
Venue: Kimmel Center – Verizon Hall

I got turned on to Neko Case through her side project The New Pornographers. Truth be told, I never took the time to single her out and find out if she did any solo work until her most recent album “Middle Cyclone” was released. I noticed a review in Rolling Stone Magazine and it was very positive (although I am now under the impression that they never give completely negative reviews anymore, but that is for another day) – so I checked it out and agreed. I noticed a poster in the city last month promoting the concert and that brings us to the review….

[The Venue: Kimmel Center – Verizon Hall]

Both Kimmel venues that I have seen shows at were beautiful in their own way. The Verizon hall is modern and clean. We had a great view of the stage. Nothing bad to say except for the little Nazi usher lady who yelled at me for checking my cell phone during the opener (she stayed and watched me shut the phone off and put it in my pocket like I was in 2nd grade).

[Open Act: Jason Lytle]

In my musical reviews, I have been trying not to be overly negative because it overpowers the writing and it calls into question my mental state during the time of the concert (perhaps I was having a bad day to have such a negative reaction, etc etc). I was having a fine day yesterday when I sat down for the concert and I will say Mr. Lytle’s band and music were not to my taste. The reasons:

1. The entire set was sad bastard music – droning and whining
2. The whole band was sitting – their music was so soul sucking that even they didn’t have the energy to get through a 40 minute set
3. Lytle used some kind of drum machine/backing track in between songs that was annoying, this device was also used during the songs which I thought was a cop out.
4. The guitar player in the band didn’t look like he had much to do. He put in a couple of fills, but it was clear to me that this guy was lazy AND the songs didn’t have the bones for any layers.
5. The lyrics were terrible: Rhyming sky with why and dry… very 2nd grade.

On the positive side, his drummer looked like the dude from the hangover:
Hangover Guy:

Drummer:

In this clip that someone on youtube posted, at least the man is by himself and doesn’t have a lazy band or terrible drum machines to distract the audience. It still isn’t good.

Jason mentioned that he made a point to watch Neko Case and her band every night which I thought was nice, but it is obvious he isn’t learning anything.

[Main Event: Neko Case]

It took a while for the stage crew to get out all of the band’s equipment (I counted 13 guitars and 1 stand-up bass) and get them tuned and set up. The wait was worth it: Case came out ready to sing. Belting out many tracks from her newest album, the aforementioned “Middle Cyclone”, Neko was in top form. In the reviews I have read, it seems that backup singer Kelly Hogan is considered the secret weapon of the show… I disagree; it is steel guitar player Jon Rauhouse that controls the sound and mood on the stage. Regardless of who the secret weapon is, Case’s band has many bombs they can drop.

The set list was focused on Case’s most recently material for the most part, which was good, but I would have liked to have heard this band’s interpretation of Neko’s older country flavored tunes. While her archival material may have been missing, they were not without, I think I counted 36 songs performed- which considering the way Case and Hogan were singing was pretty impressive. The stand out performance of the night was “This Tornado Loves You” which closed the set before a round of encores.

The banter between Case and Hogan was entertaining and lightened up the mood between some of the heavier songs (take note Jason Lytle – they knew how to mix up the tone for the audience). The crowd was also very respectful to the band which enhanced my enjoyment of the night. Bottom line – if you want to see a female singer who can actually sing her ass off and write excellent songs (and knows how to assemble a damn fine band) – go see Neko Case.